“My new record Dark Enough to See the Stars is a collection of songs that reflect a complex emotional journey. Many of the songs were written with longtime co-writers and dear friends during the pandemic years. Love and grief are the dominant themes, joy and sorrow, the dominant emotions. A happy sad record, moreover, a record about what it means to love.” - Mary Gauthier
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Co-written with U.S. veterans and their families, the eleven deeply personal songs on this album reveal the untold stories, and powerful struggles that these veterans and their spouses deal with abroad and after returning home.
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Mary Gauthier’s new album, Trouble & Love, is a brilliant collection of truthful and personal songs that reflect a total human experience: Love, loss, and a life transformed. Anyone who has loved and lost can’t fail to be moved by this devastatingly beautiful record.
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A collection of Mary’s most celebrated songs of the last 12 years, recorded live in concert at Blue Rock Artist Ranch and Studio outside of Austin.
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This disc is a companion to the album The Foundling. Mixed and mastered by Ray Kennedy in Nashville, Tennessee, these are the bare bones voice/guitar demos that capture some of the moments when the songs came to life.The Foundling ((2010) concept album was several years in the writing, and these tracks are a behind-the-scenes glimpse into the creative process involved in the creation of that song cycle. This CD is for fans who are interested in the creative process.
Mary Gauthier has always sung with the heart and grit of someone who’s spent life on the road with both eyes wide open. For The Foundling, she strips her sound down to an eerie quiet, recording in Canada with producer Michael Timmins of the Cowboy Junkies. The effect is much like the Cowboy Junkies themselves with a slightly more life-worn voice up front. An adopted child who ran away from home as a teenager and contacted the birth mother who refused to meet her, Gauthier explores the role of identity in songs such as the slow sweeper “Mama Here, Mama Gone,” the suppressed rocker “Blood Is Blood” and the broken country ballad “The Orphan King,” shedding not tears but insights into the tough questions and impossible answers of a life spent wondering. “Good-Bye” adds a sweet fiddle. “Another Day Borrowed,” “March 12, 1962” and “Walk On The Water” are solid, soul-searching tunes with their somber hues enhanced by Gauthier’s striking vocal delivery. “Coda” is a quick, gentle a cappella finale.
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A collection of 13 songs from Mary’s critically acclaimed three independent releases. Plus two previously unreleased live recordings. Beautifully packaged with 24-page booklet featuring extensive notes and photos. Completely remastered.
Between Daylight And Dark, Mary’s fifth album, continued to draw the kind of critical raves that had been heaped upon her preceding album, Mercy Now.
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An album overflowing with beauty, raw emotion and unflinching honesty which established Mary as one of today’s pre-eminent songwriters and earned overwhelming critical acclaim.
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Produced by ex-Lucinda Williams collaborator Gurf Morlix, Mary Gauthier’s third effort, Filth & Fire, is a startlingly honest collection of sketches drawn from the downtrodden lives of marginal Southern characters.
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Gauthier’s first widely available release, Drag Queens in Limousines, is filled with striking, unrepentant outcasts.
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Mary’s first album, Dixie Kitchen, deals with subject matter never before dealt with in Country Music.
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